Soften edges in photoshop cc
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Plus, this command is a great first step in creating a selection that you intend to fine-tune in the Refine Edge dialog box. If you need to fine-tune your selection, click this button to open the Refine Edge dialog box, which you’ll learn about beginning on Creating Selections with Channels.įigure 4-17. With decent contrast, the selection you get with this command is pretty darn good! Rare is the photo where Focus Area generates a perfect selection, but you can tweak the result easily enough using the settings shown here. (The box on The Joy of Painter has more about digital drawing tablets.) If you have a pressure-sensitive digital drawing tablet, turning on this setting-whose icon looks like a pen tip with circles around it-lets you override the Width setting by pressing harder or softer on the tablet with your stylus. You can press the semicolon ( ) or apostrophe (‘) key while you’re using the tool to decrease or increase this setting by 3, respectively add the Shift key to these keyboard shortcuts to jump between 1 and 100. The factory setting-57-usually works fine. Setting this field to 0 makes Photoshop add very few points, and 100 makes it have a point party. You need more anchor points to select an area with lots of details than for a smooth area. If you’re a fan of keyboard shortcuts, press the comma (,) or period (.) key to decrease or increase this setting in 1 percent increments, respectively while you’re making a selection add the Shift key to these keyboard shortcuts to set it to 1 percent or 100 percent, respectively.įrequency determines how many anchor points the tool lays down. You can try increasing this percentage when you want to select an edge that isn’t well defined, but you might have better luck with a different selection tool. You can also press Shift- to set it to 256.Ĭontrast controls how much color difference there needs to be between neighboring pixels for the Magnetic Lasso to recognize it as an edge. You can change the Width setting in 1-pixel increments while you’re using the Magnetic Lasso by pressing the keys. If it goes astray and sets an erroneous anchor point, tap the Delete key (Backspace on a PC) to get rid of that point and then click to set more anchor points until you reach an area of greater contrast where the tool can be trusted to set its own points. If you reach an area that doesn’t have much contrast-or a sharp corner-you can give the tool a little nudge by clicking to set a few anchor points of your own. When a tiny circle appears below the cursor, click once to close the selection and summon the marching ants (or triple-click to close the selection with a straight line).Īs you might imagine, the Magnetic Lasso tool works best when there’s strong contrast between the object you want to select and the area around it (see Figure 4-16). To close the selection, put the cursor over your starting point. As you move your cursor over the edges you want to select, it sets additional anchor points (fastening points that latch onto the path you’re tracing they look like tiny, see-through squares).
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This tool has all the power of the other lasso tools, except that it’s smart-or at least it tries to be! Click once to set a starting point, and the Magnetic Lasso tries to guess what you want to select by examining the colors of the pixels your cursor is over (you don’t even need to hold your mouse button down). The Options bar sports the same settings for both the Lasso tool and the Polygonal Lasso tool: (See Chapter 3 for more on using fill layers.) Now, you can see whether you’ve erased everything you wanted to.Īlternatively, if you’re erasing the background of one image to replace it with another, go ahead and add the new background to your document. Drag the new layer beneath the layer you’re erasing, and you’re good to go. Select a bright color from the resulting Color Picker, and then click OK. Here’s how: Click the half-black/half-white circle at the bottom of the Layers panel and choose Solid Color from the menu. The next time you’re ready to use one of these eraser tools, first add a solid color fill layer, pick a bright color that contrasts with what you’re trying to delete, and then place the layer at the bottom of the layer stack. The checkerboard pattern is notorious for making it hard to see whether you’ve missed a pixel or two here and there, especially if the background you’re trying to delete is white or gray (like clouds).įortunately, it’s easy to overcome this checkered obstacle. And while it may appear that you’ve erased all the background, you may not have. Most of the time, you’ll use these tools to erase to a transparent (checkerboard) background like the one shown in Figure 4-13.
#Soften edges in photoshop cc how to#
Now that you know how to use the Background and Magic Erasers, keep in mind that you can’t always believe what you see onscreen. WORKAROUND WORKSHOP: Erasing Every Bit of Background